Netty van Osch has a position in which she claims, that the ones who are handling, are the main objects of fear and sympathy but also of
horror and indignation, the roots of `tragedy` and `fate`.
The search in her objects and installations is a way to restore `the fate`.
There is a cycle of building and demolishing, it is a duel of distinction urge and united desire, that makes clear `the tragedy` of our existence.